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	<title>Hoo Fan Chon</title>
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	<pubDate>Sat, 14 Mar 2026 02:29:36 +0000</pubDate>
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		<title>2601 - Tilapia Shrine</title>
				
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		<pubDate>Sat, 14 Mar 2026 02:29:36 +0000</pubDate>

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	Tilapia Shrine (Closed System for Care and Circulation)



&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/6bff6e33998590dabd2c6cab5759614aef1f49f39fcb8936b5f8abb076642997/01--260130_Transmediale2025_Day003LauraFiorio_065_7498-copy.jpg" data-mid="246019395" border="0" alt="Photo by Laura Fiorio" data-caption="Photo by Laura Fiorio" src="https://freight.cargo.site/w/1000/i/6bff6e33998590dabd2c6cab5759614aef1f49f39fcb8936b5f8abb076642997/01--260130_Transmediale2025_Day003LauraFiorio_065_7498-copy.jpg" /&#62;
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&#60;img width="1041" height="1400" width_o="1041" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4abae5741ac3b602ff7a7ccc543578049585187c47f5215410e9d102e7fac8fe/03---IMG_4341-copy.jpg" data-mid="246019397" border="0"  src="https://freight.cargo.site/w/1000/i/4abae5741ac3b602ff7a7ccc543578049585187c47f5215410e9d102e7fac8fe/03---IMG_4341-copy.jpg" /&#62;
&#60;img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1f125c9f025444856c7578a0e585ac3c70f2133310bba949d26fc04f378ebce2/04---IMG_4406-copy.jpg" data-mid="246019398" border="0"  src="https://freight.cargo.site/w/1000/i/1f125c9f025444856c7578a0e585ac3c70f2133310bba949d26fc04f378ebce2/04---IMG_4406-copy.jpg" /&#62;
&#60;img width="1003" height="1400" width_o="1003" height_o="1400" data-src="https://freight.cargo.site/t/original/i/284e21646e92b7132b08ff19892655a2395c4b41676eec65f17506696b14e410/05---IMG_4384-copy.jpg" data-mid="246019399" border="0"  src="https://freight.cargo.site/w/1000/i/284e21646e92b7132b08ff19892655a2395c4b41676eec65f17506696b14e410/05---IMG_4384-copy.jpg" /&#62;
&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/35a2cb107a03b4892baa18fa029bf05d63c0a36c510834d11aeee0111d7214bb/06---260131_Transmediale2025_Day004LauraFiorio_7948-copy.jpg" data-mid="246019400" border="0" alt="Photo by Laura Fiorio" data-caption="Photo by Laura Fiorio" src="https://freight.cargo.site/w/1000/i/35a2cb107a03b4892baa18fa029bf05d63c0a36c510834d11aeee0111d7214bb/06---260131_Transmediale2025_Day004LauraFiorio_7948-copy.jpg" /&#62;
&#60;img width="1002" height="1400" width_o="1002" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c18426d4199101b1896563e6fb5572f8ba844cc270270952c6a5ae706a9ec2f8/09---buntsbarsch.jpg" data-mid="246019402" border="0" alt="Tilapia is sometimes marketed as Buntbarsch (&#38;ldquo;colourful perch&#38;rdquo;) in German grocery stores." data-caption="Tilapia is sometimes marketed as Buntbarsch (“colourful perch”) in German grocery stores." src="https://freight.cargo.site/w/1000/i/c18426d4199101b1896563e6fb5572f8ba844cc270270952c6a5ae706a9ec2f8/09---buntsbarsch.jpg" /&#62;
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&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/9c877f05ca69c8f490c432a70ffa179cd153ef20a470c51b5259c0fea9000ce3/14---260201_Transmediale2025_Day005LauraFiorio_020_9387-copy.jpg" data-mid="246019407" border="0" alt="Photo by Laura Fiorio" data-caption="Photo by Laura Fiorio" src="https://freight.cargo.site/w/1000/i/9c877f05ca69c8f490c432a70ffa179cd153ef20a470c51b5259c0fea9000ce3/14---260201_Transmediale2025_Day005LauraFiorio_020_9387-copy.jpg" /&#62;
&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/85900a9905608bbb50098ec5f1178d33bba4a6823b7af0dd58e22ab8db2d368f/11---260131_Transmediale2025_Day004LauraFiorio_8491-copy.jpg" data-mid="246019404" border="0" alt="Photo by Laura Fiorio" data-caption="Photo by Laura Fiorio" src="https://freight.cargo.site/w/1000/i/85900a9905608bbb50098ec5f1178d33bba4a6823b7af0dd58e22ab8db2d368f/11---260131_Transmediale2025_Day004LauraFiorio_8491-copy.jpg" /&#62;
&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/b5c3eae8281d32060907ccc04cb6c5caa7a5ef01dcde81d76b6dc4f5c25c16a0/12---260131_Transmediale2025_Day004LauraFiorio_8501-copy.jpg" data-mid="246019405" border="0" alt="Photo by Laura Fiorio" data-caption="Photo by Laura Fiorio" src="https://freight.cargo.site/w/1000/i/b5c3eae8281d32060907ccc04cb6c5caa7a5ef01dcde81d76b6dc4f5c25c16a0/12---260131_Transmediale2025_Day004LauraFiorio_8501-copy.jpg" /&#62;
&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/751847c8c79f7e9429e8db644cfa2a26716777c18da45f980f4b55737edf413c/13---260131_Transmediale2025_Day004LauraFiorio_8512-copy.jpg" data-mid="246019406" border="0" alt="A tilapia sampling session using Berlin&#38;rsquo;s online food delivery platforms. Photo by Laura Fiorio." data-caption="A tilapia sampling session using Berlin’s online food delivery platforms. Photo by Laura Fiorio." src="https://freight.cargo.site/w/1000/i/751847c8c79f7e9429e8db644cfa2a26716777c18da45f980f4b55737edf413c/13---260131_Transmediale2025_Day004LauraFiorio_8512-copy.jpg" /&#62;



	Transmediale 2026 By the Mango Belt &#38;amp; Tamarind Road: Compassing, Protocoling, Metaphoring
2026 January, Silent Green (Germany)
&#38;nbsp;
Curated by Juan Pablo García Sossa
︎
List of works:
Tilapia Shrine (closed system for care and circulation)
Mixed-media installation: glass aquarium, speakers, audio mixer, amplifier, contact mic, photovoltaic transducer, ultrasonic mist maker, LED display, bubble maker, robotic toy fish, plastic aquatic plant, river sand; 2026. Dimensions variable.Tilapia: A Berlin Tasting Experience
Tasting session featuring tilapia dishes ordered through Berlin’s online food delivery platforms.Supported by the Goethe Institue Malaysia &#38;amp; the&#38;nbsp;Goethe Institut Indonesia.


	This installation was first presented at the transmediale 2026 alongside a tilapia tasting programme. Tilapia is a deceptively simple fish—nutritionally plain, economically powerful, and culturally loaded. It sits at the intersection of subsistence, aquaculture, migration, and aspiration. The installation functions as a compression device, holding multiple lines of inquiry that emerge from the artist’s long-term preoccupation with tilapia as a cultural and material figure.

Drawing from the artist’s own upbringing, shrines and aquariums are familiar features in many middle-class Malaysian Chinese households. The work takes the form of a syncretic domestic shrine paired with a tropical ornamental aquarium—a system of belief, care, and maintenance embedded in everyday life. Centered on tilapia, a globally farmed freshwater fish often associated with affordability and resilience, the shrine gestures toward how food, value, and survival are shaped by ordinary infrastructures, from aquaculture and cold-chain logistics to experimental closed ecological life support systems (CELSS), where tilapia is frequently cited as a candidate species for future space-based food production.

Using simulated aquatic life rather than living organisms, the installation stages a closed, aestheticised ecological system that mirrors both domestic aquariums and speculative models of sustenance. Here, tilapia becomes not an object of worship but a post-religious deity of survival.



Tilapia: A Berlin Tasting Experience

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Alongside the installation, a tasting experience explored how tilapia circulates through Berlin’s food economy. In the city, tilapia lives a “double life.” While African, Caribbean, and other migrant communities celebrate it as a heritage staple, the commercial food industry often obscures its identity by rebranding it as “perch” (Barsch in German) or other fish. To examine this dynamic, a tilapia sampling session was conducted by ordering dishes explicitly labelled “tilapia” through Berlin’s online food delivery platforms.
The tasting experience made the tilapia food chain visible by contrasting three distinct market identities. The first presented tilapia as a heritage staple: a whole fish served bone-in and celebrated by name. The second appeared as an anonymous commodity, sold as affordable oven- or microwave-ready meals renamed Buntbarsch (“Colourful Perch”) to sound familiar and local to German consumers. The third introduced a sustainable Berlin-grown tilapia, marketed as Hauptstadtbarsch (“Capital Perch”) and sourced from an eco-friendly aquaponic farm in Malzfabrik, Schöneberg.
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		<title>2601 - Catch of the Day: Fish Station</title>
				
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		<pubDate>Fri, 13 Mar 2026 12:25:36 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

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	Catch of the Day: Fish Station



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	Wan Hai Hotel: Singapore Strait2026 January, Warehouse Hotel (Singapore)
&#38;nbsp;
Curated by X Zhu-NowellCatch of the Day: Fish Station was commissioned by Rockbund Art Museum
This exhibition was part of The Singapore Art Week, organised by ArtSG &#38;amp; Rockbund Art Museum

The fish preparation and cooking were done by chef Desmond Yong and Charles Leow
︎
List of works:


Catch of the Day: Fish Station
Food-sampling activation featuring line-caught fish from Singapore’s shoreline, prepared using various local cooking methods.Tide Turning Lazy Susan（食來潮轉）
Insitu mixed media installation: motorized lazy susan, banquet table, tableware, linens, and condiments, dimensions variable, 2021
Eight Immortals Crossing the Sea All Fish Banquet (八鮮過海全魚宴)
Single-channel MPEG-4 video, color, sound, 3:54 min, 2021


	This fish station was a food-sampling activation at the Wan Hai Hotel: Singapore Strait opening dinner reception, serving line-caught fish from Singapore’s shoreline. Three days prior to the event, I visited Sembawang Park Jetty, Punggol Point Jetty, and Bedok Jetty to barter for anglers’ catch of the day using canned drinks, fishing equipment, cigarettes, and NTUC FairPrice vouchers.
Much of the seafood sold in Singapore is imported from neighbouring countries such as Malaysia and Indonesia, and fish from Singapore’s own waters are not commonly available or are less price-competitive. Yet the shoreline is not only part of a national border or supply chain—it is also read by some as a place where food can still be gathered. This programme brought people together through the collective consumption of fish caught along Singapore’s shoreline.
Some migrant workers navigate urban landscapes through an ethic of subsistence, self-reliance, and ecological knowledge shaped by agrarian backgrounds. In cities, this knowledge appears in practices such as fishing along coastlines, collecting shellfish from mudflats, or foraging edible plants from roadsides. Yet these acts often become hyper-visible in their hands, framed as transgressions rather than knowledge. Urban fishing, in particular, is frequently cast as a hygiene issue rather than recognized as environmental literacy and a long-overlooked right to harvest from one’s surroundings.
Harvesting seafood requires sensory attunement, intergenerational knowledge, and an acceptance of uncertainty—qualities at odds with “supermarket modernity,” which privileges convenience, standardization, and disconnection from origin, seasonality, and labour. The gesture echoes practices carried by some of my ancestors when they first arrived in the region as migrant workers.
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		<title>2503 - The Mythical Belacak &#38; The Vanishing Mudskipper</title>
				
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		<pubDate>Mon, 04 Aug 2025 14:54:18 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

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	The Mythical Belacak &#38;amp; The Vanishing Mudskipper



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&#60;img width="1071" height="1428" width_o="1071" height_o="1428" data-src="https://freight.cargo.site/t/original/i/f530d4af50630b742ac225a494ccec783e92eb24c81150708a9058e154715a8b/07.jpg" data-mid="236677801" border="0" alt="Mudskipper-flavoured instant noodle concept photo I" data-caption="Mudskipper-flavoured instant noodle concept photo I" src="https://freight.cargo.site/w/1000/i/f530d4af50630b742ac225a494ccec783e92eb24c81150708a9058e154715a8b/07.jpg" /&#62;
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	Next Art Tainan 2025 –&#38;nbsp;
隱身之海、增生之城Invisible Ocean, Growing City2025 March, 醉美空間 Aglow Art Space (Tainan city, Taiwan)&#38;nbsp;
&#38;nbsp;
Curated by Nobuo TakamoriProduced by The Cultural Affairs Bureau of Tainan City Government

︎
List of works:(2nd floor)
How To Dance Like A MudskipperSingle channel full HD Mpeg-4 video, 8:38 min, 2022

Film excerpt from ‘Batu Belah Batu Bertangkup’ (1959)
 Single channel Mpeg-4 video, 35:17 min

To Dream for One’s Country 42 x 59.4 cm, silkscreen print, acid-free 300gsm watercolour paper, 2019

Collection of mudskipper productsDimension variable, massage oils, soup bars &#38;amp; instant coffee

Dunia Badol
Compilation of mudskipper-related video content by YouTuber Badol, single channel Mpeg-4 video, 34:48 min
(3rd floor)The Vanishing Mudskipper
183 x 30.48 cm, polyester banner with embroidery work by 旺展繡莊

Audio recording of market interviews
Dimension variable, audio files, 40:58 min

Mudskipper-flavoured instant noodle concept photos
2 x A1 digital prints
Mudskipper-related contextual reference
Books


	I participated in a 1-month residency to respond to the "隱身之海、增生之城 &#124; Invisible Ocean, Growing City" exhibition – Next Art Tainan 2025, curated by Nobuo Takamori, in Taiwan, to expand on my artistic research on the intertidal fish – mudskipper. In my previous projects, I've re-envisioned a localised version of the municipal emblem of George Town with mudskipper (2019), speculated a set of callisthenics movements during Assembridge Nagoya (2022), and made a dance instruction video inspired by the mudskipper (2023). 
During this residency, I explored the possibility of creating mudskipper-flavoured instant noodles as a food souvenir of Tainan, drawing inspiration from one of its classic delicacies – 花跳湯 (mudskipper soup), similar to how many Asian cities promote their culinary traditions. Despite numerous attempts to find mudskipper as a cooking ingredient in various fish markets in Tainan and inquiring at numerous restaurants about their availability, the fish has proven to be as elusive as its internet presence. This project highlights the disconnect between the existence of the Taiwanese mudskipper as a viral internet meme and the transition of food culture amongst the locals from a diverse range of game fishes to predominantly farmed fishes today.
The only mudskipper I found was printed on a banner, and the fish store owner, who was very generous with her knowledge of game fishes, kindly gifted the banner to me for use at the exhibition. I decided to embroider the mudskipper to commemorate its transformation from a once-popular local delicacy to a 'legendary' fish, whose taste can only be reminisced about by the old-timers. 
The final exhibition featured artworks and contextual materials of mudskipper-related projects, installed on two floors of 醉美空間 Aglow Art Space (2nd floor: Malaysian mudskipper-related artworks and materials, 3rd floor: the outcome of Tainan residency research).
</description>
		
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	<item>
		<title>2501 - Familiar Strangers</title>
				
		<link>https://eyeballmassage.com/2501-Familiar-Strangers</link>

		<pubDate>Sat, 29 Mar 2025 06:34:19 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

		<guid isPermaLink="true">https://eyeballmassage.com/2501-Familiar-Strangers</guid>

		<description>
	Familiar Strangers



&#60;img width="1800" height="1101" width_o="1800" height_o="1101" data-src="https://freight.cargo.site/t/original/i/88494d24816c56cc1c51edb8c28c6b5c8fa5a1f7d6d753986949cc2ff5c7658a/installation-view_resized.jpg" data-mid="228946574" border="0" alt="Installation view at S.E.A. Focus 2025" data-caption="Installation view at S.E.A. Focus 2025" src="https://freight.cargo.site/w/1000/i/88494d24816c56cc1c51edb8c28c6b5c8fa5a1f7d6d753986949cc2ff5c7658a/installation-view_resized.jpg" /&#62;
&#60;img width="1273" height="1800" width_o="1273" height_o="1800" data-src="https://freight.cargo.site/t/original/i/6a69bbae02c4e2b03add849f0b2bd03be74a16984bfe51105ade450b5a405963/01_resized.jpg" data-mid="228946575" border="0" alt="Family portrait inside a lift" data-caption="Family portrait inside a lift" src="https://freight.cargo.site/w/1000/i/6a69bbae02c4e2b03add849f0b2bd03be74a16984bfe51105ade450b5a405963/01_resized.jpg" /&#62;
&#60;img width="1273" height="1800" width_o="1273" height_o="1800" data-src="https://freight.cargo.site/t/original/i/23105c3854e7283480fdaed428b5e72e18a7f8f1b634f74a0dbd8c818662afbe/02_resized.jpg" data-mid="228946576" border="0" alt="Reclining lady on lawn" data-caption="Reclining lady on lawn" src="https://freight.cargo.site/w/1000/i/23105c3854e7283480fdaed428b5e72e18a7f8f1b634f74a0dbd8c818662afbe/02_resized.jpg" /&#62;
&#60;img width="1273" height="1800" width_o="1273" height_o="1800" data-src="https://freight.cargo.site/t/original/i/b219df4e0be5bc815f548d8c2208804144a4a6d6b9c629cb07525ec145c8c0ef/03_resized.jpg" data-mid="228946577" border="0" alt="Boy holding a glider plane" data-caption="Boy holding a glider plane" src="https://freight.cargo.site/w/1000/i/b219df4e0be5bc815f548d8c2208804144a4a6d6b9c629cb07525ec145c8c0ef/03_resized.jpg" /&#62;
&#60;img width="1273" height="1800" width_o="1273" height_o="1800" data-src="https://freight.cargo.site/t/original/i/adef7f1a1c35688da2057ff5c0462428520e969a75738caf290d21f2924cdfe3/05_resized.jpg" data-mid="228946578" border="0" alt="Topless man (interior)" data-caption="Topless man (interior)" src="https://freight.cargo.site/w/1000/i/adef7f1a1c35688da2057ff5c0462428520e969a75738caf290d21f2924cdfe3/05_resized.jpg" /&#62;
&#60;img width="1273" height="1800" width_o="1273" height_o="1800" data-src="https://freight.cargo.site/t/original/i/66359c2693528cf35852306a7ae153fafe8414d9cb6cfbd0c22b1a0f8666dc77/06_resized.jpg" data-mid="228946579" border="0" alt="Lady between rock crevice" data-caption="Lady between rock crevice" src="https://freight.cargo.site/w/1000/i/66359c2693528cf35852306a7ae153fafe8414d9cb6cfbd0c22b1a0f8666dc77/06_resized.jpg" /&#62;
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&#60;img width="1273" height="1800" width_o="1273" height_o="1800" data-src="https://freight.cargo.site/t/original/i/479cc93f27a4cb5be0ece1b294e9f78e3bf984d9121341d90f4b781201831bae/09_resized.jpg" data-mid="228946582" border="0" alt="Lone man by waterfall" data-caption="Lone man by waterfall" src="https://freight.cargo.site/w/1000/i/479cc93f27a4cb5be0ece1b294e9f78e3bf984d9121341d90f4b781201831bae/09_resized.jpg" /&#62;
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&#60;img width="1273" height="1800" width_o="1273" height_o="1800" data-src="https://freight.cargo.site/t/original/i/7a3da5cddff72c42172263fa25234af783cc4ca2bc2d341ef34810c346c20cd1/12_resized.jpg" data-mid="228946585" border="0" alt="Picnic at the Moonlight Bay" data-caption="Picnic at the Moonlight Bay" src="https://freight.cargo.site/w/1000/i/7a3da5cddff72c42172263fa25234af783cc4ca2bc2d341ef34810c346c20cd1/12_resized.jpg" /&#62;




	
	S.E.A. Focus 2025Tanjong Pagar Distripark; &#38;nbsp;
organised by&#38;nbsp;The Back Room KL


︎
Watercolour on 300 gsm acid-free paper, 42 x 59.4 cm each except for 'Topless Man (interior)' &#38;amp; 'Picnic at The Moonlight Bay' which are 59.4 x 84.1 cm each, 2024


	‘Familiar Strangers’ is a series of watercolour paintings based on found photographs collected from around antique shops and flea markets in George Town, Penang. I have a habit of visiting these markets and collecting old photographs, particularly photographs where I don’t always immediately understand the content or context, or photographs that look slightly odd. 

Since its designation as a joint UNESCO World Heritage site, both the state of Penang and local businesses have promoted George Town as a popular destination for cultural tourism.&#38;nbsp; This branding exercise has stimulated a trade in nostalgia, particularly manifested in the recycling of found objects as novel souvenirs for tourists or interior decoration for business owners. 

Other than looking at the typical photographs we see in antique stores that feature social rites (such as weddings, birthdays, funerals, etc.) or the prized Peranakan family studio portraits, I am more interested in the anonymous, amateur everyday candids that are sometimes awkwardly posed, performative, blown out, underexposed, or in soft focus. I am intrigued by how these time-eroded personal keepsakes, nibbled away by silverfish, ended up being recirculated. Reading these photographs is an act of narrating everyday histories, even if they have to be excavated from other people’s staged realities, through lenses both voyeuristic and literal.

If photographing is an act of appropriating the subject being photographed, then painting a photograph is to look at a photograph intently, like studying a map of unfamiliar routes, to familiarise oneself with a foreign image. I blow up these photographs by tracing the original image through layers of watercolour paintings. Painting can sometimes be described as photographic and photography as painterly; this series of works intends to combine both the representational function of a painting and the mimetic nature of a camera to put together an album of anonymous and discarded memories.

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		<title>2407 - Durian calligraphy: “King”</title>
				
		<link>https://eyeballmassage.com/2407-Durian-calligraphy-King</link>

		<pubDate>Fri, 20 Dec 2024 02:33:15 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

		<guid isPermaLink="true">https://eyeballmassage.com/2407-Durian-calligraphy-King</guid>

		<description>
	Durian calligraphy: “King”



&#60;img width="527" height="1200" width_o="527" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3444b891a1a3432b1e6b73d880fec704b98c2cb06eb5ec0208addede2490d346/01.jpg" data-mid="223608958" border="0"  src="https://freight.cargo.site/w/527/i/3444b891a1a3432b1e6b73d880fec704b98c2cb06eb5ec0208addede2490d346/01.jpg" /&#62;
&#60;img width="527" height="1200" width_o="527" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d0f90b8d4b2344579143cbde15b7ca78db5359755f38b457c82b4919d13f8d9e/06.jpg" data-mid="223608972" border="0"  src="https://freight.cargo.site/w/527/i/d0f90b8d4b2344579143cbde15b7ca78db5359755f38b457c82b4919d13f8d9e/06.jpg" /&#62;
&#60;img width="527" height="1200" width_o="527" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9539b685d38d34b02324a307688f83ff612b84b3a22669a19f09f3148d1d6cc9/03.jpg" data-mid="223608968" border="0"  src="https://freight.cargo.site/w/527/i/9539b685d38d34b02324a307688f83ff612b84b3a22669a19f09f3148d1d6cc9/03.jpg" /&#62;
&#60;img width="527" height="1200" width_o="527" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ead16be4a473071de65215e0b1bd27dc6a7974deb739d63ad68dca9bfd9e57bc/04.jpg" data-mid="223608969" border="0"  src="https://freight.cargo.site/w/527/i/ead16be4a473071de65215e0b1bd27dc6a7974deb739d63ad68dca9bfd9e57bc/04.jpg" /&#62;
&#60;img width="527" height="1200" width_o="527" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ee1dd1ec80650e09995abd742af028de22a6fcfa1d1424f840a571b7033dc226/05.jpg" data-mid="223608971" border="0"  src="https://freight.cargo.site/w/527/i/ee1dd1ec80650e09995abd742af028de22a6fcfa1d1424f840a571b7033dc226/05.jpg" /&#62;
&#60;img width="832" height="1200" width_o="832" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7c2e3b24ac8e3ef1075f9886884f2549484cbad91e5858671888800c33fc3b0c/durian_calligraphy_process.jpg" data-mid="223609805" border="0"  src="https://freight.cargo.site/w/832/i/7c2e3b24ac8e3ef1075f9886884f2549484cbad91e5858671888800c33fc3b0c/durian_calligraphy_process.jpg" /&#62;
&#60;img width="1200" height="874" width_o="1200" height_o="874" data-src="https://freight.cargo.site/t/original/i/280ed56e145d3129f3480b845a789c768cf7d4efa8a37ee707aaed1ae3cdce31/installation-view.jpg" data-mid="223608973" border="0"  src="https://freight.cargo.site/w/1000/i/280ed56e145d3129f3480b845a789c768cf7d4efa8a37ee707aaed1ae3cdce31/installation-view.jpg" /&#62;




	
	More Men (And A Woman) With Plants - An Odyssey of Botanical Assumptions Through The Eyes of 7 Artists2024 July, George Town, Penang @ China House, curated by Fuan Wong.


︎


Durian calligraphy: “King”
Durian husk fibre on 60-grit aluminium oxide sanding&#38;nbsp;paper, 150 x 60 cm each, 2023


	This work is part of a material experimentation series onthe tropical fruit durian. Durian is crowned the “king offruits” in Southeast Asia for its popularity, unique flavour, and nutritional profile. These battle flag-looking gestural works are the result of blunting the fruit'sthorns by rubbing durian husks against sanding paper to form the Chinese character "王" (King) in various ancient Chinese script types (oracle bone and seal).
</description>
		
	</item>
		
		
	<item>
		<title>2403 - Everyday No Parking Sculptures</title>
				
		<link>https://eyeballmassage.com/2403-Everyday-No-Parking-Sculptures</link>

		<pubDate>Tue, 29 Oct 2024 13:57:11 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

		<guid isPermaLink="true">https://eyeballmassage.com/2403-Everyday-No-Parking-Sculptures</guid>

		<description>
	Everyday No Parking Sculptures



&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/2ff884455f5fdfd53a6a63d8a25628a2ac5b51bfd2a818bf26300576ae8f786d/Parking01.jpg" data-mid="223568049" border="0"  src="https://freight.cargo.site/w/1000/i/2ff884455f5fdfd53a6a63d8a25628a2ac5b51bfd2a818bf26300576ae8f786d/Parking01.jpg" /&#62;
&#60;img width="1200" height="733" width_o="1200" height_o="733" data-src="https://freight.cargo.site/t/original/i/3a60b53ff6cfc39bb09af24f4fcfc0dab0645893ea4d9a262f6ded66bb86737a/Parking02.jpg" data-mid="223568050" border="0"  src="https://freight.cargo.site/w/1000/i/3a60b53ff6cfc39bb09af24f4fcfc0dab0645893ea4d9a262f6ded66bb86737a/Parking02.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/91d09ddbfc11bb7cdb9d5813d4d7fd9a97f515df8f0a8f9f30df7ab6ca46277d/Parking03.jpg" data-mid="223568051" border="0"  src="https://freight.cargo.site/w/1000/i/91d09ddbfc11bb7cdb9d5813d4d7fd9a97f515df8f0a8f9f30df7ab6ca46277d/Parking03.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/95c084847947331815ee064c3870f45421808d5c3751f78f5186f215a5765f26/Parking04.jpg" data-mid="223568052" border="0"  src="https://freight.cargo.site/w/800/i/95c084847947331815ee064c3870f45421808d5c3751f78f5186f215a5765f26/Parking04.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e5834996a9cb1923c4fc26fd683acb28dfed85b9c6a60d82d00677a4f7cb9697/Parking05.jpg" data-mid="223568053" border="0"  src="https://freight.cargo.site/w/800/i/e5834996a9cb1923c4fc26fd683acb28dfed85b9c6a60d82d00677a4f7cb9697/Parking05.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/293a9d446e4bcf92b833756646e291942c4ab5bf16db24a7bf96de0a7048d6a8/Parking06.jpg" data-mid="223568054" border="0"  src="https://freight.cargo.site/w/800/i/293a9d446e4bcf92b833756646e291942c4ab5bf16db24a7bf96de0a7048d6a8/Parking06.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1e29934c21f0cf67382261b6a994163f9524892df524d64a74038d3ba5b94e17/Parking07.jpg" data-mid="223568055" border="0"  src="https://freight.cargo.site/w/800/i/1e29934c21f0cf67382261b6a994163f9524892df524d64a74038d3ba5b94e17/Parking07.jpg" /&#62;
&#60;img width="3984" height="2729" width_o="3984" height_o="2729" data-src="https://freight.cargo.site/t/original/i/c065cc48a6e2476d003cc7b28783bd492dd39e1be3b3c6d2e3bcb8b1cce5812b/Parking08_2.jpg" data-mid="223568056" border="0"  src="https://freight.cargo.site/w/1000/i/c065cc48a6e2476d003cc7b28783bd492dd39e1be3b3c6d2e3bcb8b1cce5812b/Parking08_2.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/76cfb2243b47f6ad1a523ecde256aa59908552802177957d45cf7ada9c66cd86/Parking09.jpg" data-mid="223568057" border="0"  src="https://freight.cargo.site/w/1000/i/76cfb2243b47f6ad1a523ecde256aa59908552802177957d45cf7ada9c66cd86/Parking09.jpg" /&#62;
&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/18ae39d211ed9265d92d4c46818395016a0723623df68889c601d861b49760e4/Parking10_2.jpg" data-mid="223568058" border="0"  src="https://freight.cargo.site/w/1000/i/18ae39d211ed9265d92d4c46818395016a0723623df68889c601d861b49760e4/Parking10_2.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9ebc3466915ccd09b8f6c4a066d5e795970865fc6a6660df25d60781cfe855c2/Parking11.jpg" data-mid="223568059" border="0"  src="https://freight.cargo.site/w/800/i/9ebc3466915ccd09b8f6c4a066d5e795970865fc6a6660df25d60781cfe855c2/Parking11.jpg" /&#62;
&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/11b6bbfb642029c94443a448b13f3a3a35b71538b4f51020b32c1fd928dbd209/Parking12-copy.jpg" data-mid="223568060" border="0"  src="https://freight.cargo.site/w/1000/i/11b6bbfb642029c94443a448b13f3a3a35b71538b4f51020b32c1fd928dbd209/Parking12-copy.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b108cfbf22febb35004d1573219c95011d920573ae1e089d1ee91a15fdcf8e9e/Parking13.jpg" data-mid="223568061" border="0"  src="https://freight.cargo.site/w/900/i/b108cfbf22febb35004d1573219c95011d920573ae1e089d1ee91a15fdcf8e9e/Parking13.jpg" /&#62;




	
	Palai Penang2024 March, Homestead, Penang @ Wawasan Open University,&#38;nbsp;co-organized by Galerie Balice Hertling from Paris and Blank Canvas from Penang.


︎


Everyday No Parking Sculptures
Readymade no parking sculptures; on-site photo tiles installation, laserjet print, dimensions variable, 2024

*Selected documentation photo by Lin Ho


	Parking space is limited and sometimes contentious in George Town. Both the tourists and locals are constantly testing the colonial entrepôt’s limit in accommodating the fluxes of vehicular traffic. Many of the shop owners in George Town respond to this problem by creating makeshift parking sculptures of varying complexity, using throwaway or economical materials such as buckets, broken stools, wooden planks, tyres, brick, pinwheels, etc. Many of these sculptures look spontaneous and perfunctory; others are more considered and designed. These erected composite scrap materials serve as visual cues to deter other drivers from taking up the parking space, yet collectively, they carry a sculptural presence that adds visual excitement to the George Town streetscape, like those carefully bonsai’ed pot plants. 
</description>
		
	</item>
		
		
	<item>
		<title>2403 - Artist's impression series – Homestead (Penang)</title>
				
		<link>https://eyeballmassage.com/2403-Artist-s-impression-series-Homestead-Penang</link>

		<pubDate>Thu, 19 Dec 2024 06:51:19 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

		<guid isPermaLink="true">https://eyeballmassage.com/2403-Artist-s-impression-series-Homestead-Penang</guid>

		<description>
	Artist's impression series – Homestead (Penang)



&#60;img width="1000" height="812" width_o="1000" height_o="812" data-src="https://freight.cargo.site/t/original/i/cca1f4791880808d0239b1d701eec30e87cf12a17ed52f760d2fe0b66bc9a69d/homestead02.jpg" data-mid="223567248" border="0" alt="Painting in the corridor of Homestead during Palai Penang exhibition" data-caption="Painting in the corridor of Homestead during Palai Penang exhibition" src="https://freight.cargo.site/w/1000/i/cca1f4791880808d0239b1d701eec30e87cf12a17ed52f760d2fe0b66bc9a69d/homestead02.jpg" /&#62;
&#60;img width="1200" height="851" width_o="1200" height_o="851" data-src="https://freight.cargo.site/t/original/i/8473bdfcabccf89941d69c422c9c482b17f214781ace654db6b7a805e3bed193/homestead01_2.jpg" data-mid="223567249" border="0"  src="https://freight.cargo.site/w/1000/i/8473bdfcabccf89941d69c422c9c482b17f214781ace654db6b7a805e3bed193/homestead01_2.jpg" /&#62;




	
	Palai Penang2024 March, Homestead, Penang @ Wawasan Open University,&#38;nbsp;co-organized by Galerie Balice Hertling from Paris and Blank Canvas from Penang.


︎


Artist's impression series – Homestead (Penang)
Watercolour and gouache on acid free paper, 42 x 59.4 cm, 2024

Documentation photo by Lin Ho


	The Homestead was inspired by the 16th-century Palladian Villa Valmarana, designed by Andrea Palladio. It was designed by Stark &#38;amp; McNeil, a British architectural firm, as the residence of Chinese merchant Lim Mah Chye (from 1919–22) and later acquired by local tycoon Yeap Chor Ee. Both were compradors, ‘middle men’ in the colonial enterprise who helped with the imperial trade networks in the 19th- and early 20th centuries; it was also a highly mobile social class that could move across different strata of colonial society, allowing them to be both local and ‘western’. Compradoric architecture can be found in treaty ports and colonial entrepôts like Shanghai, Macao, Batavia, and Hong Kong. Despite the European classical grandeur of the Homestead, there’s a hint of the owner’s cultural roots, such as the Chinese geomantic symbol ba gua found on the tympanum on the beach-facing façade. This sepia-tone watercolour painting reimagines an East Asian Palladian architectural design by embellishing the roof of the building with Chinese deities, like the statues of divinities adorning the roofs of classical European architecture.
</description>
		
	</item>
		
		
	<item>
		<title>2312 - The Impossible Hand Gestures series</title>
				
		<link>https://eyeballmassage.com/2312-The-Impossible-Hand-Gestures-series</link>

		<pubDate>Fri, 20 Dec 2024 01:57:04 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

		<guid isPermaLink="true">https://eyeballmassage.com/2312-The-Impossible-Hand-Gestures-series</guid>

		<description>
	The Impossible Hand Gestures series



&#60;img width="1200" height="982" width_o="1200" height_o="982" data-src="https://freight.cargo.site/t/original/i/7b36244f0d28d9d8d860a42a5e9a73565acc61edb28354869c21a59469e0e092/Impossible-hand-gestures---handshake-i.png" data-mid="223608588" border="0" alt="Handshake I" data-caption="Handshake I" src="https://freight.cargo.site/w/1000/i/7b36244f0d28d9d8d860a42a5e9a73565acc61edb28354869c21a59469e0e092/Impossible-hand-gestures---handshake-i.png" /&#62;
&#60;img width="1200" height="977" width_o="1200" height_o="977" data-src="https://freight.cargo.site/t/original/i/72ae502731a0a3b63109741e6745dd9a0c4fb96c8a5db657c10ef0dea6d9b9ca/Impossible-hand-gestures---high-five.png" data-mid="223608589" border="0" alt="High five" data-caption="High five" src="https://freight.cargo.site/w/1000/i/72ae502731a0a3b63109741e6745dd9a0c4fb96c8a5db657c10ef0dea6d9b9ca/Impossible-hand-gestures---high-five.png" /&#62;
&#60;img width="1200" height="982" width_o="1200" height_o="982" data-src="https://freight.cargo.site/t/original/i/4637d2214cee2e8429689960f6c3e9807623dabef10bcf7877ecaa436f6788ef/Impossible-hand-gestures---infinity.png" data-mid="223608591" border="0" alt="Infinity" data-caption="Infinity" src="https://freight.cargo.site/w/1000/i/4637d2214cee2e8429689960f6c3e9807623dabef10bcf7877ecaa436f6788ef/Impossible-hand-gestures---infinity.png" /&#62;




	
	Favouritism Is My Favourite -Ism2023 December, Kuala Lumpur @ The Back Room, curated by chi too


︎


The Impossible Hand Gestures series
Acrylic on canvas 60 × 50 cm each


	“The Impossible Hand Gestures series is an ongoing series of paintings in which the artist practices ‘reverse machine learning’ by asking AI generative technology to depict reality for him. The series depicts multiple forms of hand gestures that have been AI-generated and painted by Hoo. The series playfully subverts typical art-world discourse about the proliferation of artificial intelligence technology and its assumed threat to artists by capturing the flaws and chinks in the technology’s armour that inadvertently produce humorous and interesting new ways of interpreting the world. The series of friendly hand gestures(such as handshakes and high fives) also propose a relationship of cooperation between humans and machines instead of one of animosity or competition.”

Text by Ellen Lee
</description>
		
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	<item>
		<title>2307 - Durian Without Duri</title>
				
		<link>https://eyeballmassage.com/2307-Durian-Without-Duri</link>

		<pubDate>Tue, 01 Aug 2023 07:27:51 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

		<guid isPermaLink="true">https://eyeballmassage.com/2307-Durian-Without-Duri</guid>

		<description>
	Durian Without Duri



&#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/cf2389c05750fcf8845581d8156896c44eb3774960329084b02844cdd1a10e71/2307_duri_01.jpg" data-mid="186641666" border="0" data-scale="50" src="https://freight.cargo.site/w/750/i/cf2389c05750fcf8845581d8156896c44eb3774960329084b02844cdd1a10e71/2307_duri_01.jpg" /&#62;
&#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a3caa04a7879112dcb14c3f1b4f33b7265da53a52b2792c559a80ad86b36670c/2307_duri_13.jpg" data-mid="220472809" border="0"  src="https://freight.cargo.site/w/750/i/a3caa04a7879112dcb14c3f1b4f33b7265da53a52b2792c559a80ad86b36670c/2307_duri_13.jpg" /&#62;
&#60;img width="1939" height="1200" width_o="1939" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3192bf7e278a0b4afd4d7a390efd69c4374daf812d451e8d839d2e7190c817e1/2307_duri_combined.jpg" data-mid="220457109" border="0"  src="https://freight.cargo.site/w/1000/i/3192bf7e278a0b4afd4d7a390efd69c4374daf812d451e8d839d2e7190c817e1/2307_duri_combined.jpg" /&#62;
&#60;img width="680" height="1000" width_o="680" height_o="1000" data-src="https://freight.cargo.site/t/original/i/be13a0d8817bbcd8ea8c45e81247005e30383e3534792e9d3f8655b5040693ea/2307_duri_10.JPG" data-mid="186657594" border="0" alt="sewn durian husks" data-caption="sewn durian husks" src="https://freight.cargo.site/w/680/i/be13a0d8817bbcd8ea8c45e81247005e30383e3534792e9d3f8655b5040693ea/2307_duri_10.JPG" /&#62;
&#60;img width="1000" height="784" width_o="1000" height_o="784" data-src="https://freight.cargo.site/t/original/i/99e41441ccc5c11a5dafce14c047df4c752c8051819a429704e23b9e1acc153e/2307_duri_11.jpg" data-mid="186641784" border="0" alt="installation view" data-caption="installation view" src="https://freight.cargo.site/w/1000/i/99e41441ccc5c11a5dafce14c047df4c752c8051819a429704e23b9e1acc153e/2307_duri_11.jpg" /&#62;


	
	Leaving Traces&#38;nbsp;2023 July, Hin Bus Depot (George Town, MY)
Curated by Ivan Gabriel

︎


Durian without duri
A set of 7 80grit aluminium oxide sanding belts, 94 cm x 10 cm each;&#38;nbsp;
sewn durian husks, 2023


	The name Durian is derived from the Malay word ‘duri’ (thorn), and the suffix -an denotes a multitude of thorns. Fascinated by how a durian will look without its defining physical characteristic, I sanded down a 3.75 kg Durian Ganja (D158) with a belt sander machine.
</description>
		
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	<item>
		<title>2305 - Don't Cry My Friend</title>
				
		<link>https://eyeballmassage.com/2305-Don-t-Cry-My-Friend</link>

		<pubDate>Tue, 13 Jun 2023 06:10:55 +0000</pubDate>

		<dc:creator>Hoo Fan Chon</dc:creator>

		<guid isPermaLink="true">https://eyeballmassage.com/2305-Don-t-Cry-My-Friend</guid>

		<description>
	Don’t Cry My Friend&#38;nbsp;



&#60;img width="922" height="633" width_o="922" height_o="633" data-src="https://freight.cargo.site/t/original/i/055be321d280dec0d8e543c04de4b3192b94917e1e2de94ea7f8b1a7e80d7f72/installation01.jpg" data-mid="182433658" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/922/i/055be321d280dec0d8e543c04de4b3192b94917e1e2de94ea7f8b1a7e80d7f72/installation01.jpg" /&#62;
&#60;img width="736" height="1340" width_o="736" height_o="1340" data-src="https://freight.cargo.site/t/original/i/358e0fd906d38dce9559e4ad464d64f7a746840abb6823a97b8b50b3ae355ee3/DCMF---Youth.jpg" data-mid="182433659" border="0" alt="Don&#38;rsquo;t Cry My Friend: Youth" data-caption="Don’t Cry My Friend: Youth" src="https://freight.cargo.site/w/736/i/358e0fd906d38dce9559e4ad464d64f7a746840abb6823a97b8b50b3ae355ee3/DCMF---Youth.jpg" /&#62;
&#60;img width="912" height="1070" width_o="912" height_o="1070" data-src="https://freight.cargo.site/t/original/i/0f2125328fbf4fcd4531d0cf31158bf16db0630f27a1e6339aa4ac503bd7d8a3/DCMF---Youth-detail.jpg" data-mid="182433660" border="0" alt="Don&#38;rsquo;t Cry My Friend: Youth (detail)" data-caption="Don’t Cry My Friend: Youth (detail)" src="https://freight.cargo.site/w/912/i/0f2125328fbf4fcd4531d0cf31158bf16db0630f27a1e6339aa4ac503bd7d8a3/DCMF---Youth-detail.jpg" /&#62;
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	WUJUD/EXIST 2023 May, Temu House (Petaling Jaya, MY)
Curated by Sharmin Parameswaran and Jerome Kugan

︎


List of Works:
Don’t Cry My Friend Series
Embroidery on badminton racquet, approx. 21 x 67 cm each, 2023 –⁠ 

Best Friednship Award
Custom cast resin on readymade trophy,&#38;nbsp;15 x 35 x 8.5 cm, edition of 8, 2023

Project assistant: You Jia Xin


	The Lee Chong Wei–Lin Dan rivalry (2004–18) is hailed as one of the greatest in the history of badminton, echoing the Federer–Nadal rivalry in tennis. Of their 40 meetings, Lin won 28 head-to-head battles, including the Olympic, World Championship and other major tournament finals. Even though Lin achieved a "Super Grand Slam" at the age of 28 by winning all nine premier titles, Datuk Lee won 47 Super Series titles and was ranked the world’s top player for 349 weeks. This rivalry motivated each other to become better players and, somewhat paradoxically, both shuttlers are also good friends on and off the court. A viral heartfelt “love letter” believed to have been penned by Lin was circulated on the internet after his defeat to Datuk Lee during the Rio Olympics semifinal in 2016. Its veracity was promptly dismissed by an annoyed-looking Datuk Lee during a press conference. “Do you think we’re in love?” he asked. This series attempts to feminise and reimagine the potential bromance between both alpha male athletes through a series of embroidered works based on images sourced online.
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